Juyo Sairen katana with Hon’ami Kinpun-mei

Project Info

Project Description

第三十三回重要刀剣
筑前國西蓮
大磨上無銘而本阿弥光遜/同工極ハメノ金粉銘有之同工八大左ノ祖父二當タリ其ノ作域八九州古典派/傳統ヲ示ス鄙ブル風情ノ者ト垢抜ケシタル手ガ見ラレ本刀ハ後者デー脈孫ノ大左二繫ガル點ガ窺ハル板目肌立心二地沸付キ地景入ル肌合二浅ク湾調二互乃目ヲ交へ足入り横手下ハ一段ト焼高ク総ジテ匂口明ルク輝ク沸豊富デ砂流・金筋カリ乱込ミ突上心二尖気味/帽子二結ブナド同工ノ一作域ヲ示シ健體出色ノ優品哉
刃長弐尺参寸七分有之歳甲辰曆坤月探山識「花押」
Dai sanjūsan-kai Jūyō-Töken
Chizen no Kuni Sairen
Õ-suriage mumei shikamo Hon’ ami Kōson no dōkō kiwame no kinpun-mei kore ari. Dōkō wa Õ-Sa no sofu ni atari sono saku’iki wa Kyūshū koten-ha no dento o shimesu hinabiru fuzei no mono to akenukeshitaru te ga mirare honto wa kōsha de ichimyaku mago no O-Sa ni tsunagaru ten ga ukaware. Itame-hada tachi-gokoro ni ji-nie tsuki chikei hairu hada-ai ni asaku notare-chō ni gunbome o majie ashi hairi yokote shita wa ichidan to yaki-takaku sõjite nioiguchi akaruku teruku nie höfu de sunagashi, kinsuji kakari midare-kimi tsukiage-gokoro togari kimi no bõshi ni musubu nado no ichi-saku iki o shimeshi kentai shusshoku no yühin kana.
Hachō ni-shaku san-sun shichi-bu kore ari, toki ni kinoe-tatsudoshi kongetsu Tanzan shirusu + kao
Juyō-Töken at the 33rd Juyo Shinsa
Sairen from Chikuzen Province
This blade is ō-suriage mumei, but bears a kinpun-mei in which Hon’ami Kōson attributes the blade to said maker. Sairen was the grandfather of Õ-Sa and either worked in a style faithfull to the classic early Kyūshū style, which is somewhat rustic, or in a refined style, and this blade belongs into the latter category and shows elements that connects it with the approach of his grandson O-Sa. The blade displays a standing-out itame with ji-nie and chikei, and is hardened in a nie-laden and gently undulating notare-chō mixed with gunome and ashi. The ha widens somewhat below of the yokote, the nioiguchi is overall bright, and sunagashi and kinsuji appear. With this and the midare-komi böshi and its somewhat late starting and pointed kaeri, the work reflects one of the known styles of this smith, and we have here a masterwork that is of a strikingly perfect health.
Blade length-71.8 cm (28 1/4 in.)
Written by Tanzan [Tanobe Michihiro] in October in the year of the dragon of this era (2024) + monogram.
———————

Jūyō Tōken Setsumei

Designated on March 25, 1987 (Shōwa 62)
33rd Jūyō Tōken

Owner: Tsuruoka Yunen (Tokyo)

Sword

Katana
Inscription: “Hon’ami (with kao) and kinpun-mei”

Measurements

Length: 71.8 cm

Curvature (sori): 2.0 cm

Motohaba (width at base): 2.7 cm

Sakihaba (width at tip): 1.9 cm

Kissaki length: 3.5 cm

Nakago length: 18.1 cm

Nakago sori: none

 

Description

Shape: Shinogi-zukuri, iorimune, average width, gentle curvature, chūkissaki.

Jigane: Itame mixed with mokume, with chikei appearing, somewhat standing and textured, with ji-nie attaching.

Hamon: Primarily suguha-chō mixed with gunome, with ashi entering. The yakiba below the yokote is broad, with fine ko-nie clinging and streaming activities.

Bōshi: Midare-komi ending in ko-maru.

Horimono: Bōhi carved on both sides.

Nakago: Ō-suriage, tip kiri, yasurime katte-sagari, one mekugi-ana. On the omote below the mekugi-ana is inscribed “Sairen (西蓮),” and on the ura in gold powder kinpun-mei is written “Hon’ami (with kao).”

 

Commentary

Sairen was a swordsmith who served the Chikuzen Hakata Dangi-sho, an office connected with Zendōji temple established after the Mongol invasions. In the Kōzan Oshigata there is a tachi signed in long inscription as “Chikuzen Hakata Dangi-sho Kuniyoshi Hōshi Sairen” and dated Bunpō Gannen (1317). From this it is clear that Kuniyoshi was his secular name and Sairen his nyūdō-mei (monk’s name).

Sairen was the grandfather of the famous smith Ōsa, but his workmanship represents the earliest Kyushu tradition. His jigane shows flowing masame mixed in with whitish areas, while the hamon tends to be suguha with a soft, misty quality.

This katana bears the kinpun-mei of Hon’ami Kōson. Both the jigane and hamon are healthy, and the workmanship clearly reveals the character of this smith. The quality is excellent.